OUR WRITERS
Bobby Terry
When it comes to identifying which of Bobby Terry’s many strengths as an in-demand producer, hit songwriter and multi-instrumentalist ranks at the top, the Three Hounds Music songwriter says it’s his innate sense of knowing when something is wrong.
“That doesn’t always make it easy to know what’s right,” Terry says. “But I’m going to keep at it until I feel like nothing else is wrong.”
Terry’s tenacity recently paid off when he and songwriter Matt Rossi collaborated on a song that would go on to become Garth Brooks’ current single, “Stronger Than Me.” The songwriting duo wrote the song specifically to pitch to Brooks as a tribute to Brooks’ wife, Trisha Yearwood. The lyrics came fairly easily, Terry says, because they had heard Brooks talk frequently of his affection for Yearwood. Before pitching the tune to Brooks, however, Terry wanted to spend time listening to other songs that Brooks had recorded during his career.
“I thought I should listen to Garth (music) for a couple of weeks to think about what kinds of songs he sings,” Terry says. “I wanted to make sure our song was one that he would sing.”
The dedication to detail led to Brooks quickly recording the song and then debuting it with a live performance on the CMA Awards in November 2018.
The songwriting win is the most recent in a two-decade career that includes cuts by the likes of Tim McGraw, Brad Paisley, Montgomery Gentry, Lonestar, Trisha Yearwood, and Faith Hill. Along the way, Terry has racked up credits that include being the solo producer and musician on Anthony Smith’s critically acclaimed Mercury Records debut, “If That Ain’t Country,” which enjoyed several Top 40 hits at country radio. He also produced and wrote on Trace Adkin’s “Greatest Hits” album on Capitol Records.
Terry also is known on Music Row for his talents as a multi-instrumentalist. His reputation for playing all of the instruments on almost every record he produces has made him a highly sought after session player. He has played on records by a Who’s Who of popular artists, including Willie Nelson, Darius Rucker, Love & Theft, John Fogerty, Aaron Lewis, Toby Keith, Casey Donahue, Uncle Kracker, Jamey Johnson, Alan Jackson, Craig Campbell, Alabama, Dolly Parton, Luke Combs, Joe Nichols and more.
Having the ability to play many instruments definitely helps Terry when, as a producer, he hears something that he identifies as wrong in a record.
“If I go into a studio and get back and don’t like it, then I can replay it exactly how I want,” Terry says. “So being a multi-instrumentalist gives me the advantage of tailoring the song exactly how I want even if it didn’t go down exactly as you wanted in the session.”
These days, when he isn’t in the studio playing on other artists’ records, he spends his time with new artists, producing them and helping them develop their sound and identity.
“I enjoy the challenge of creating something or creating an identity that doesn’t completely exist yet and sometimes creating a sound that goes with that,” Terry says. “There’s a bit of art to that, and it can be subtle things or instrumentation or choice of sounds. That’s something I’ve always loved, the creativity of it all.”
David Tolliver
A Music City fixture for nearly a decade, Kentucky-born singer/songwriter David Tolliver is best known as half of the critically acclaimed country/rock duo Halfway to Hazard. In addition to being a talented singer and guitar player, David is also a gifted songwriter who recently signed an exclusive publishing deal with Three Hounds Music. He has co-written the majority of Halfway to Hazards three albums, writes with some of Nashville’s top country stars and has had cuts by Tim McGraw, Jarrod Niemann, Brantley Gilbert, Wynonna, Neal McCoy and numerous others.
Comprised of David Tolliver and fellow Kentuckian Chad Warrix, Halfway to Hazard is known for a distinctive mixture of country and rock, topped with soulful, incredibly powerful vocals. The duo’s debut single was a Top 40 hit on the U.S. Billboard Hot Country Songs chart and featured as iTunes’ single of the week. They have toured with Tim McGraw and Faith Hill as the opening act on their “Soul2Soul” and with McGraw again on his “Live Your Voice” tour with Jason Aldean. In May 2008, Halfway to Hazard was nominated by the Academy of Country Music for their “Duo of the Year” award. Pre-orders for the duo’s third album, REDemptiOn released on June 9th, remained in the top fifteen on the iTunes chart for over eight weeks and Hazard is touring extensively to promote the release. Since its inception, Halfway to Hazard has raised over $1,000,000 for Kentucky charities.
Grace Harrison
Born and raised in the south, singer/songwriter Grace Harrison is no stranger to music. From a small age she was exposed to a wide range of artists: The Carpenters, John Mayer, Nina Simone and James Taylor, among many others.
Grace began playing piano at an early age and studied classical voice for years in her teens. But it wasn’t until she went to university that she found her craft of songwriting.
“Keeping Score is the song that started it all,” Grace remembers, referring to what she views as the catalyst for her EP. “It was so effortless. It probably took fifteen minutes to finish. I think that’s when you know you have something unique.”
After studying in the UK, Grace was inspired from the acoustic, coffee house vibes. At a time when Ed Sheeran gained popularity, Grace took it as an opportunity to really dive into her songwriting and embark on a year long project. In 2018 she released her debut, self titled EP.
Upon graduating from her undergrad studies abroad in Scotland, Grace returned to Nashville where she began her collaboration with Grammy winning producer Luke Wooten. She released two new singles from a project that will eventually become her second EP. ‘Fall with me’ and ‘Nice Guy’ are now available on all streaming platforms.
Sarah Beth Terry
One of Sarah Beth Terry’s earliest memories is of her 4-year-old self plopping down on the front steps of her rural Eastern Kentucky home with an oversized book of poetry, a notepad, a pencil and an assignment from her mama.“Open the book, pick out a line, then write a poem about it.”
Terry’s mother, a talented poet in her own right, would take a look at her daughter’s first effort and say, “You need to work on that second stanza. You have 10 minutes.”
Little did the family matriarch know that she was grooming her intelligent young daughter, who already knew how to read and write as a preschooler, to be a gifted and prolific songwriter.
Fast forward not too many years and Terry has advanced from expounding on lines from dead poets to crafting her own art. Her repertoire is thick with songs whose lyrics do more than rhyme. When Terry writes a song, she’s out to create a reaction, a rush of nostalgia or a sigh of understanding.
“I want to be the Joan Rivers of songwriting,” Terry says, referencing the now-deceased talk show personality known for her blunt candor. “I’m saying what people are thinking. My mission in Nashville is to tell the truth. When someone hears my song, they say ‘Holy sh**, that’s my life.”
Admittedlly overzealous and relentless when it comes to her profession as a songwriter, singer and musician, Terry says her life motto is “If I’m going to do it, I’m going to do it right.”
To that end, as a staff writer with Three Hounds Music, Terry wrote 645 songs in 2018 and has already written 65 in 2019. Her annual quota as a staff writer is 12. “If I’m going to catch lightning,” she says, “I need to put about 70 lightning rods on the roof.”
Terry has caught lightning a couple of times in recent months with two well-placed cuts. One song, “We Are All God’s Children” is on the new album by the Gaither Vocal Band and is quickly rising up the gospel charts. The second, a song that Terry co-wrote with songwriter and artist Anthony Smith titled “I Hate the Taste of Whiskey” is the latest single from country artist Craig Morgan.
“I’ve been performing this one song live called ‘Whiskey,’” Morgan said in an interview prior to the song releasing to radio. “I’m pretty excited about it. It’s a country song, but it has such a unique melody and the melodic structure in the song is so fresh that it seems a little different than traditional country. And yet again, it’s super traditional country, so it’s cool.”
While proud of her successes, Terry isn’t sitting still and resting on her proverbial laurels. She travels the short distance frequently to Nashville from her home in Munfordville, Kentucky, where she and her husband, three hounds, two cats, and baby squirrel, live in a log cabin on the town square.
“I’m doing the old timey thing,” she says. “Shaking hands, writing with the people I think matter. I believe you have to be thinking ‘Is what I’m doing right this second going to help me tomorrow?’”
The strategy is working. During a recent exchange with Garth Brooks, the superstar may have given Terry the ultimate compliment.
Your songs, Brooks said, “are the ones people get tattoos of.”
Max Flinn
Houston native, Max Flinn has teamed up with legendary Nashville producer / songwriter /musician, Bobby Terry (Willie Nelson, Luke Combs, and Garth Brooks) on his new album, Meant to Be set for release in early 2021. The album, which was recorded in Nashville, features tracks he co-wrote with Terry (Brad Paisley, Trisha Yearwood, and Faith Hill) and David Tolliver (Tim McGraw, Wynonna, and Brantly Gilbert). The project features Kenny Chesney guitarist Jon Conley, winner of the Academy of Country Music (ACM) Guitarist of the Year Award, and a 2-time winner of the CMA Award Musician of the Year Brent Mason, and multi-GRAMMY award-winning fiddle player and member of The Time Jumpers, Larry Franklin.
Born and raised in Houston, Flinn’s love for Texas country music started early and with persistence. Spending his childhood watching the Singable Songs of Raffi and strumming along on a broomstick, it wasn’t long before he was teaching himself how to play the guitar. Growing up listening to Red Dirt music giants Cory Morrow, Pat Green, and Robert Earl Keen, he played music as a hobby throughout most of his teens and early twenties entertaining family and friends at parties.
Singing those Texas country anthems for much of his life, the music never left him. Always at the back of his mind, even during Max’s stint working a corporate job in the oil & gas industry. It wasn’t long before he knew his heart was elsewhere. Determined to find a way to turn his dream into a reality, he sought out some local musicians and open mics. Gaining a following, he was ready to say goodbye to the corporate gig and take on music full time.
In 2017, Flinn released his first EP, Give Me Something More. His single, “As Big as the Storm” was dedicated to the resiliency of Houstonians in the aftermath of Hurricane Harvey. The song was featured by Channel 11 news and helped raise money for flood victims. He made his debut on the Texas radio charts with his 2019 single, “Anywhere but Austin.” He followed the single with “God’s Been Laughin’ at Me” which also appeared on the charts in early 2020.
Houston Press describes Flinn’s songs as “fresh and new, but familiar at the same time…his music is so sincere and heartfelt.” Producer Bobby Terry agrees with the sentiment saying, “Max Flinn is one of those young guys with an old soul, and it comes through in his music. Couple that soul with his solid performances both on stage and in the studio, and you have a musician that is as real as it gets.”
Flinn brings that sincere and heartfelt voice to the stage. He’s opened shows for the Eli Young Band, Robert Earl Keen, Hal Ketchum, Cory Morrow, Micky & the Motorcars, Ryan Bingham, Dirty River Boys and more. His notable venues include the main stage at House of Blues Houston, Gruene Hall, Hondo’s, RODEOHOUSTON Hideout, the Heights Theater, Redneck Country Club, ACME Nashville, and many others from south Texas to northern Montana.